Showing posts with label work. Show all posts
Showing posts with label work. Show all posts

Thursday, November 15, 2012

Nina's wedding stationary

One of my oldest friends, Nina, is getting married this summer and as her wedding gift I am designing her wedding stationary! 


Nina and I grew up together at the beach and I was not at all surprised when she told me that the ceremony would be on the beach near Long Island Sound. She asked that the stationary be casual, whimsical and somehow incorporate succulent plants, as she would be decorating the reception with succulents.

Based on some inspiration from her Pinterest account, I started drawing letters and created a little water color painting of a succulent plant.


The illustration didn't quite capture the succulence of the plants, and when I showed Nina the gorgeous font, Leitura Swashes, by Dino dos Santos, any attempt to draw more appropriate letters seemed absurd. I simplified the design and created a complementary lace-like pattern (did I mention that the reception will be held in a lace factory?) and voilĂ !

Here is a sneak peek of the save the dates:


Tuesday, October 18, 2011

London Calling

the london eye
the tower bridge


big ben
along the thames river
the tube
wish i knew

Friday, August 27, 2010

thoughts on windowless rooms

Wednesday, August 25, 2010

happy hours


As the sole designer at a wine and spirits distributing company in Washington, DC, I create menus, posters, and other print collateral for most of the bars and restaurants in the city.












Tuesday, May 18, 2010








LETTERS TO PEOPLE
WITH WHOM I DON'T

HAVE THE COURAGE
TO BE HONEST, WHICH
IS LIKE, EVERYONE.

Monday, February 22, 2010

belated adoration!

Tuesday, January 5, 2010

what I do at work


Tuesday, December 22, 2009

prior to 2005, I drew pictures.








Monday, November 9, 2009

Dear Baltimore, I miss you even though I don't like you.
















The walk to campus in Bolton Hill.

Thursday, November 5, 2009

Things That Lose You

So I've finally got all of the text from Things That Lose You here. If you were to read the book itself, the stories would be in this order:

The Escape

On the Border, In Between

Pretending

Little Drowned Darling Boat

Sleeping

The Harmony of Greens


The Escape


And in my red hot air balloon
I will float above the tallest trees
and you will crane your neck
trying to catch a glimpse
of my gleaming, white teeth.



Pretending

When I wake up, Yves is kissing the back of my neck. His palms dig into the mattress on either side of my chest; His knees, my hips. And he is taking little bites out of my spine. I keep my eyes closed, try not to smile, but he knows that I am awake. The day won’t slow for sleepers, He whispers. I turn over, still under him, and tell him that today, I want to catch lobsters. Outside, the neighbors’ barbeque smoke dances up the stairs and through the screen door. They are grilling corn. We are in the loft, a small, almost-apartment above the garage of Yzes’ parents’ house. The room consists of a lumpy mattress on a pull out couch that is rarely folded, a television, old computer, bathroom and mini-fridge. And a ladder that leads to the actual loft that is attic-like and empty above our heads. We don’t go up there anymore, but as children it was perfect for keeping secrets.



Sleeping

“It just makes me miserable. Every time–”
“Is that Nina?” he asks, staring at a photograph across the room.
“No, you’ve asked me that before.” Her voice slips through the crack between her lips, drifts out the air conditioning unit and meets a cold draft from outside.
“What were you saying?” He mumbles.
“I don’t know. I have to sleep now.” She rolls over to turn off the one, grey lamp. He notices her ribs and bumps of her spine that stick out through the paper skin on her back.
She pauses, still leaning towards the light; “Is it Wednesday?”
He doesn’t answer. The wind crashes outside. The light goes out.

Little Drowned Darling Boat

Darling was eight years old when her father built her a boat. He built it from the teak wood of a very old sailboat that came from Japan.

When it was finished, Darling was eager to take it out with the plastic oars from her old inflatable raft, but her father would not allow it. A proper boat requires proper oars, he told her, and so she had to wait another three weeks and four days before he could carve two teak oars for her little boat.

The morning her father completed the oars, he woke Darling while the sky was still pink and took her to the window to see her little boat anchored on the shore in front of their house. In a moment she was seated in the boat, pushing away from shore with one of the oars. And as the sun crackled across the horizon, Darling set out to sea.

Lying in the boat, Darling had to keep her eyes closed because the sun made her cry. She saw gold and red on the backs of her eyelids and melted into the rocking boat. Only when she heard a loud splash and felt a shower of salt water did she sit up. She saw nothing unexpected. Around her the water glittered, and to her right, stretched the shore and the houses, small and white like teeth in the distance. When she heard another splash, she turned and saw something swimming a few yards away. Hey! She called, you’ve gotten me wet! The creature disappeared into the water and within seconds reappeared next to her boat. I’m sorry, he told her. But does it really bother you? It did not, but Darling said nothing. Instead, she lay back down in her boat and closed her eyes.

Every day Leucas asked Darling to join him but she had never learned how to swim. I’ll teach you, he begged. She refused, until one day, she awoke and was no longer afraid and knew that today she would swim. She sat in her boat, anchored far enough away from the shore to appear as no more than a speck on the water. When he finally came, Leucas tapped the bottom of her boat before pulling himself up to the side. His skin glistened like plastic. He smiled widely and blew a thin stream of water between his sharp teeth. The water grazed Darling’s neck, trickled over the curve of her collarbone. Teach me to swim, she told him. His eyes sparkled and for a moment he said nothing. You’re ready? He asked. Yes, I can’t be scared forever. And so he smiled and told her to get in. She pulled her dress over her head and folded it carefully, laying it in the boat. Then she shimmied her underwear down her thighs, let them fall into sand below her feet. Leucas looked up at her, offered his hand. She took it, swung one leg over the side of the boat, then the other, so that she was seated on the edge, the boat offering her feet and calves to the water. Ready? Leucas asked, and when she nodded, he held her around her waist and lowered her into the water. At first the water made her go stiff and her skin prickled with goose-bumps. She gasped and Leucas held on to her. He was hot the way the boat felt after it sat in the sun and so Darling held him, her body softened as it adjusted to the water. He taught her to float, to let the sea carry her. Soon, she was no longer afraid but loved to swim. And one day, she swam out to the ocean, her clothes in a pile on the shore and when she met Leucas they wrapped themselves around each other and rocked through waves until both panted and ached. Leucas always tasted like salt and sweat so that Darling usually forgot that he was not like her.

Leucas had many secrets. At first, they played a game and Darling would request one secret and Leucas would whisper in her ear. Sometimes the secrets were strange, sometimes they were frightening, and sometimes they made Darling giggle: your mouth is like a clam with 24 pearls, but they were always exciting. But after some time, the secrets began to make Darling feel uneasy. She stopped requesting them and when one was revealed, she begged Leucas to tell her that it was the last.

For many years they met between the shore and the horizon. One day, Darling found him with his eyes wide, talking very soft and quick. Darling tried to calm him and when he finally was calm, he began to sob and his tears filled the ocean deeper. On that day, Darling lay on a large, flat rock while Leucas swam next to her. They sat in the sun for a very long time without speaking. The next day, she returned to the rock and found him with his face and neck covered in blood. She was unsure of what thought troubled her more: that the blood was his own, or that it was someone else’s. She held his face in her hands and licked the salt from his eyes, but he would not look at her; the blood was not his own.

After that day, Leucas and Darling were very quiet when they met. And then one day, Leucas stopped coming. Darling swam out towards the horizon near the rocks where he usually waited for her but he did not come. At first she would lie on the rocks with her eyes closed so that if he came, he would not know she was eager. Then she would be dry from the sun and, angry, swim home. Quickly her anger turned to worry. Not knowing how to find him, Darling stopped looking. She stayed on land for several days and her father told her this was better; that the ocean was dangerous and he did not like her swimming alone, without a boat. Then Darling read something in the newspaper, and she knew where to find Leucas.

At the aquarium, Leucas peered out at Darling, glowing soft blue. He looked warm. For a moment, Darling wished to climb inside. Leucas whispered through the glass, Let’s leave together and go back to our ocean. He pressed his mouth to the glass. Together, we see the curve of the earth, Leucas smiled at her, his teeth gleaming. Darling turned and walked down the corridor, the glowing blue trailed behind her.

This story is part of a collection of short fiction entitled,
Things That Lose You. I wrote, designed, illustrated and
bound this collection into a book for my thesis.

The Harmony of Greens

Mom always rinses eggshells before throwing them in the trash.

Dad tells me that he is going to build a greenhouse for Mom. He calls it a “lean-to” because it will lean against the same wall of the house that my room is on. From my bedroom window, he tells me, I can look down at all the plants. I think that sounds okay. Mom does not say much to me about the greenhouse, but she makes me come with her to the farmer’s market on a day so bright I have to squint. Mom speaks softly in a singsong voice as we walk down paths of tomatoes, eggplants, cucumbers, zucchinis, raspberries. She picks up plant after plant, seed after seed, until we both hug our arms full with potted creatures.

When we get home, dad is setting up shelves in the greenhouse. There are tin barrel trash cans under the shelves. Dad knocks on one and it makes a “Dum” sound. 55 Gallons of water, he says. They will collect heat from the sun. Mom smiles and puts the plants and seeds down near the door. She carries one past Dad, brushes her hand across the back of his wrist and puts the small tomato plant with green marble buds on the top shelf. The lean-to is so new that it isn’t working yet, but it is kind of warm the way your body feels when you wake up from a long nap. Mom and Dad spend the rest of the afternoon inside the greenhouse. Dad builds; Mom arranges, tends, makes lemonade for Dad. I watch them from my room, in and out as the sky grows pink and the air blue. I open my window. The room fills with crickets, and when I look outside again, mom is below my window with a single bulb clamp-light. And she is reading in a beach chair.

When it rains hard, sitting inside the greenhouse feels like being inside of a drum, and the rhythm is so quick that I like to dance in the center of all the plants. Some days, I am a jungle warrior. When it snows the greenhouse is so quiet my breath sounds like the ocean. Those days I sit in mom’s beach chair and make declarations like Elbow, Window, Tub and feel how the words drop the moment they leave my mouth. Then dad appears above me and sweeps the snow from the roof with a broom, and inside I watch the snow fall into mountains on the ground.

Sometimes mom’s sister drives in from the country and stays for a weekend. She brings presents like flower tea, homemade jam, and once for me, an Ar – Cz Encyclopedia with a gold spine that said inside the cover Of a very big world. Aunt Evra has big soft curls that are blonde and white at the same time. She can hear colors. She says that every hue is a different pitch of something between a pipe and a bell. Dad rolls his eyes at this. The first time she visits after the greenhouse is built, she takes me inside and sings the harmony of greens.

I look out my window on a very rainy morning. Below me the glass sparkles and sounds like dad drumming his fingers on the kitchen table. I watch the rain falling over the curve of the lean-to and notice a dark spot under the glass. Downstairs, mom and dad are arguing in hushed voices. Well I don’t know how it could’ve gotten in, unless it came through the house! Isn’t there someone we can call about this sort of thing? I am not looking at them because inside the lean-to there is a crocodile sitting next to a shelf of tomato plants. What’s that? I ask, and at the same time mom says alligator and dad says crocodile. Mom looks at dad. I’m pretty sure it’s a crocodile, he says to her. She stares at him some more and then looks at me. There’s nothing to worry about, sweetie. But please go in the kitchen now.

My encyclopedia says that crocodiles are ancient creatures and probably have not changed much since the time of the dinosaurs. They can live for several days at a time without food because they are cold-blooded and lazy. It also says that they only eat fish and stuff, so mom’s plants are safe. Anyway, I was never worried. When I go back downstairs, mom is on the phone and dad is putting a piece of plywood in front of the greenhouse door with some chairs in front of it. I tell them what my encyclopedia says and tell mom she doesn’t have to worry about the plants and they both look at me and then mom asks me to please go to my room.

If I look out my window, I can see the crocodile like I am a bird. He is definitely lazy because he has not moved since I was downstairs. I want to tell him that sometimes, I feel lazy too, so I wave and think he see me. Then he winks. He sees me. Mom and Dad won’t let me go near him but I know he won’t eat me and I think I will go see him tonight. I read my encyclopedia some more and learn about cicadas, Chrysanthemums and Crohn’s disease, an inflammatory bowel disease, and I wonder why anyone would want a disease named after them. Dad knocks on my door and I say he may come in. He sits on my bed and says that Aunt Evra is on the phone and wants me to come visit her. I say Why? He says it is because she is working on something and needs my help. Where’s the crocodile? Dad says he’s still in the greenhouse. I say that I’d like to name him, so dad suggests Eugene. I don’t like that name, so dad suggests Crocky. I think that’s dumb, so instead we name him Crohn.

From the outside, Aunt Evra’s house is a yellow shed with a tiny little porch. It has white shutters and lots of plants all around. Behind the house are the stables, and in the front lawn are her old golden retriever and a new black lab. Wind-chimes hang all over the porch, and when Aunt Evra comes outside they all chime at the same time. The house is very big inside, with two floors. The bottom floor has the kitchen, living room and what Aunt Evra calls “the drawing room” and upstairs is her bedroom with a big canopy bed. The living room smells like muffins and she has tapestries, old instruments, a mirror bigger than me with a fancy gold frame, a china horse collection, a grandfather clock and a big birdcage. And sometimes when I come she has new things. Today, she goes over to a big rusty trunk and pulls out all kinds of purple, red, gold, green fabrics and drapes them over her furniture. She tells me that they are for a play and that she needs me to help her decide who should wear what. She turns on her record player and all day we try on costumes and pretend to be queens.

When the rain stops, Aunt Evra and I sit on her little porch and eat muffins with butter. The air smells like dirt and grass and the sky is metal. I tell Aunt Evra about Crohn. He is purplish green and looks rough and like Dad’s hands. I tell her that he winked at me. She says we must have a connection. Aunt Evra stands on the edge of the porch and looks all around. She goes out into the yard and keeps looking at the sky. What are you looking for? I ask. The rainbow. I can hear it. We walk around to the back near the stables and see a rainbow stretching all the way over the sky and Aunt Evra closes her eyes. And hums.

Mom asks me if I had a fun day. Where is Crohn? I ask and she says, Who? We go inside where she is making grilled cheese sandwiches. Dad pats me on the head. Where is Crohn? I go through the kitchen to the dining room door where the greenhouse is. The plywood is gone and inside the plants are quiet and still. It smells sweet but also like tomatoes. Dad comes up behind me. He doesn’t belong here. I wonder why Crohn doesn’t belong here if I do. A vine of cucumbers is climbing up the wall of the greenhouse and looks like it is going to tangle up in everything. But where is he? Dad says they let him go, but he won’t tell me who they are or where they put him and then I get really angry and go up to my room.

“Belong” is not in my encyclopedia so I look it up in dad’s dictionary. It says, “to be in the relation of a member, adherent, inhabitant, etc. (usually fol. by to)” and I still don’t know what that means.

There is a hibiscus flower in the greenhouse that has not bloomed yet, but it has a big, bulging bud in the middle of its stem. It looks like a snake that swallowed a mouse. Every day the bud slides a little closer to the end of the stem and mom says it should bloom any day now. Aunt Evra comes to stay with me one night while mom and dad are on a date. We sit in the kitchen and wait for the cookies to bake. I am coloring and drawing and Aunt Evra is doing a crossword puzzle. A five letter word for an abundance of water, she says. I say flood, and she smiles at me, then she looks across the kitchen with a funny face. Would you listen to that. Then she stands up, so I follow her, and we go to the greenhouse. The hibiscus flower has exploded into a million flowers and they are everywhere. Red, orange, pink and yellow ones and some multicolored ones are all over the floor and the shelves, and the plant that came from the pot has burst into a bush of tons of flowers. I go into the middle of the greenhouse and try hard not to step on any of the flowers. Aunt Evra laughs and tells me that it sounds like an orchestra.

Aunt Evra gives me a crystal ball for Valentine’s Day and I wish on it for Crohn to come back even though I don’t think you are supposed to wish on crystal balls. Mom is in the kitchen and I know she is baking brownies because I can smell it. I can see my liquidy reflection in the black refrigerator. I ask mom if everyone dies at the same time. Then I hold on to the handles on the refrigerator and hang loose. Mom says “Mmhmmm.” and I think that’s nice because we will all do it at the same time. Mom rinses an eggshell and throws it in the trash.




This story is part of a collection of short fiction entitled,
Things That Lose You. I wrote, designed, illustrated and
bound this collection into a book for my thesis.


Tuesday, October 20, 2009

Things That Lose You



I mentioned quite a while ago that I wrote and bound a book of short, magical realist fiction. One of the stories is posted here and I finally photographed the book and posted it on my website:
www.clairesmalley.com
Have a look!
More stories to come.

Marissa's brand


Business card, product tag and logo that I created. Plus, a logo stamp! Made from wood and foam. Check out Marissa's note cards (and other dazzling products) at www.marissamolinaro.com.

Saturday, October 17, 2009

A wedding, a brand and incredible steak.

A couple weeks before her wedding, my friend Marissa asked me for help with some of the printed materials for the occasion. I designed, and together we produced, a ceremony program, table numbers and name tags. Marissa had several of her other materials (invitation, RSVP, etc.) printed online using Night Owl Paper Goods who print on sustainably harvested wood. While designing name tags, Marissa suggested using the wood from her RSVPs as a base. So, we printed out some designs, glued the paper to the wood, and folded them in half. VoilĂ :


PHOTO CREDIT CECILIA MARSHALL


The front of the tags, flat.




And here is one of the flower girls holding a program:

PHOTO CREDIT ALETHA KEOGH

A few days after the wedding, I began designing a branding system for Marissa, who is an independent artist and has recently been creating glassware out of recycled beer and wine bottles. She is selling an impressive collection of drinking glasses, vases, candle votives and most recently, lights! See for yourself:

www.marissamolinaro.com


She was the featured artist at the boutique, Muse, in Frederick, Maryland and after spending the evening setting up displays of her work in the shop, we had dinner at the Tasting Room which I'm nearly certain has the best steak in all of Maryland and Virginia.

Thorndike, Maine

Through WWOOF, I spent two weeks of the summer sleeping in a tent on an organic, collective farm in Maine. The experience not only taught me a great deal about sustainability, farming and organic agriculture but also gave me the opportunity to meet some wonderful people. I hope to do this again in the future and strongly recommend that those interested in farming/the food system/gardening/sustainability look into WWOOF. It is an international organization, so one can volunteer on a farm almost anywhere!

These photos are not of the farm or gardens, but rather, the land and some of the people with whom I lived and worked.



Farmcore.











Friday, June 19, 2009

On the Border, In Between

Once, there lived a people on a land quite a bit smaller than a square mile. The people had small houses, one school, one prayer house, one convenience store and a food market every Sunday where they came together and fed each other for the week. The town had a sheriff who was not so much a sheriff as a mayor that mediated and reprimanded and occasionally taught lessons at the school. There was a fire marshal, a school teacher, a doctor and town gossip. And in this way the town lived, quiet and guileless.

One year, a group of graduates from the school formed a band and began to host town dances every weekend. The whole town came together and danced to songs of deserts and mountains and pretty girls. The same year, the school teacher’s son, inquisitive and tall, set out from the town, walked to the nearest train track, hopped a train and spent the following year and a half wandering the lands. When he finally returned, bearded and taller, his mother was so overcome with joy that the school was closed for three days in order to celebrate his return. With the school closed, the entire town celebrated the traveler’s return, and soon after, a second school teacher was employed, as the people were reproducing at an exponential rate.

Daphne was born on the same day that a stranger visited the town for the first and last time. She chases rabbits, but were she to catch one, she would not know what to do. Luckily, this happens only once. She and the rabbit make eye contact, and only when Daphne whispers “Hello,” does the rabbit finally wrinkle its nose and disappear into the bushes. Daphne’s mother has a raspberry bush, and when she is not running, Daphne eats raspberries straight from the bush until her teeth turn red and the seeds cut up her tongue. When the town begins to build up, Daphne remembers the days of running and raspberry bushes with longing and sore knees.

Over the next century, the town school expanded and the children asked more questions. The prayer house was converted to a Spiritual House because there were people in the town who were not religious but spiritual. Then one day, the town fell completely silent. The town gossip watched from her window with her mouth shut; the school teacher paused in the middle of a sentence that diagrammed a sentence; and every person in his or her house shushed every other person. With one pair of eyes, the town watched the stranger pass through the town gates, down the main street, past the houses; residential, fire and spiritual, between the two schools and up the steps of the town hall where the sheriff, a different man from when this story began but similar in character, sat at his desk. The sheriff jumped a little and stood to shake the stranger’s hand.

Daphne does not mind heights, but she does not enjoy climbing stairs, nor climbing anything, for that matter. Daphne enjoys walking and running and taking strides as long or short as she wishes. On some days Daphne walks swiftly, taking strides so long that she rotates her hips back and forth as moves; first the right faces forward, then the left, then the right. And sometimes she walks slowly, taking small, lazy steps. And occasionally, she mixes the two, taking one long, stretching stride for every three small, quick jumps. But as the town builds up, she moves vertically more often than horizontally. Her knees grow tight from lifting one, straightening it and lifting the other, straightening, pulling upward, pushing down, pulling up, push down, pull up. The creak of stairs is muffled by the creak of tight knees.

The town would have to relocate. While the people had lived quietly in their nameless, governmentless town, the rest of the world fought, conquered and formed borders until somehow, one day, someone discovered that the town quite a bit smaller than a square mile was cut right down the middle by the border of two countries. This sent the governments of the two countries into a condition of great distress. They wondered, “Where had these people come from?” and “How had they gone unnoticed until now?” and still, “How will we get rid of them and where will we put them?” Of course, neither country was willing to move its own border quite a bit less than a mile in either direction. They decided that the fate of the small town was not their concern, so long as the people emigrated somewhere else. The sheriff took this news quite calmly. He stood silently before the stranger for a long time before stating, without the slightest quiver in his voice, “We will not.” And just as the words flew from his lips, the stranger left as quietly as he had arrived. The sheriff did not know what to make of the brief encounter and decided not to tell the rest of the town until he had further news. He did of course tell his wife, and their children overheard, and because the town was so worked up over the arrival and disappearance of the stranger, the news spread so quickly that the town gossip scarcely had to leave her house. In their yards and streets, the people shouted at each other over what to do. The great-great grandson of the school teacher’s traveling son finally commanded everyone’s attention (because he was very tall and had a voice with a most pleasing tenor) and stated simply,“We will just wait and see.”This calmed everyone for a while, but for the weeks that followed there was a thread of tension that held every townsman to his neighbor and hissed in the wind.

When Daphne first notices the building being built next to hers, she remains seated in her windowsill barely leaving to eat or use the toilet. Its presence creeps onto her, filling her window and devouring her sky. The clouds are tucked away and the horizon covered up until all that are visible from her window are more windows, like her own.

The two countries between which the town was wedged argued and spat until one agreement was reached:The town cannot expand beyond its own, existing borders.If the town obliged, the countries would leave it in peace. And so, the first piece of mail to ever arrive from outside the town was delivered to the steps of town hall. The document, so heavy it required four men to lift it from its blinding white envelope, stated the law implemented by foreign, indomitable forces, and the town could only agree.

In the middle of the night, Daphne wakes up when something is thrown into her bedroom. She jumps with a start and by moonlight sees an aluminum can in the middle of her bedroom floor. When she picks it up, she finds that a string is attached to it and a voice is inside that shouts “Hope I didn’t wake you!” She drops the can, startled, and then hears “I didn’t mean to startle you. But could you please pick up your can so that you can hear what I’m saying?” Outside of her window, in the window of the new building next to her own, is a boy in his new bedroom with a can attached to hers by the string. She looks at him, the can still on the floor, and states, “I can hear you just fine. What do we need those cans for?” He shakes his head, points to his ears and then gestures “I don’t know what you’re saying!” with a shrug.

And so the town built up. At first, unable to expand, they simply did not build at all. But soon the people desired a market open five days a week. And a bookstore for those graduated from school. And then a town radio station that made everyone feel very modern and proud. Everything was built narrowly. Doors and windows were built five inches narrower and five inches taller. Buildings that would have been two floors with five rooms per floor became five floors with two rooms per floor. The school expanded with each classroom on a separate floor. The new grocery store was built with the produce on the first floor, the meat and dairy on the second, and the bread on the third. Quickly, many of the older buildings were cut in half and rebuilt vertically rather than horizontally. Up was development. Up was progress. Up was modernity. Up was the future.





Sometimes Daphne and Mace sit in their windows; hold their cans without speaking. Daphne rolls up a note around the string between the cans and slides it to Mace. It reads, My knees ache. Mace asks Daphne to dance and he sings loudly into his can while shimmying and shaking about. Daphne jumps up and down, smiling, swinging her knees in circles and squares until she melts into the floor. She laughs with side-splitting vivacity.

Quickly, the town transformed. The people made walkways between giant windows-made-doors as it was quicker than climbing down a mile-long staircase and up an almost mile staircase to visit your neighbor who lived next-door one floor below your own. The trees, having less room for their roots, stretched thinly to record-breaking heights. They curved and bended about as if searching for a direction in which to grow other than up. A branch no larger than Daphne’s pinky finger finds its way through Daphne’s window. Twisting through her curtains it reaches toward all corners of her bedroom until the whole trunk of the tree, as thick as her wrist, holds out its leaf-tipped hand.

Mace taps the tin can telephone and Daphne wakes to the twinkling of silver. “Daphne.” She hears his voice twice: It travels through the window and the can. She replies “What” “Daphne!” He whisper-shouts. “Mace,” She whispers back. “That tree,” Mace says quietly. “I can hear it scratching up your window through your tin can.” He emphasizes the word “tin” rather than “can.” “Yeah, I can hear it in your tin can, too.” Daphne says this to the window while holding her can to her ear. She watches the string between cans quiver with Mace’s breathing.

As soon as the town began to build up, everyone knew that it would never stop. The people wanted five more rooms with every one that was built. They wanted more than one market because this one had better produce and that one, better pastries. They wanted separate schools for different age groups, and shops for every object: book shops, clothing shops, map shops, radio shops, pen shops, hat shops, rope shops, walkway shops. The buildings, taller and narrower, leaned on each other and swayed in the wind. The once quiet town now resonated with the sound of metal. Hammers hit nails when footsteps would have been heard, and the whole town shook a little as if on a tray being carried away.

Daphne is the only person in the whole world who is awake. Outside the moon is a sliced lemon and the sky red and only the faint hum of electricity and tapping of metal tiptoes between the buildings. Daphne sits in her window, staring into the darkness of Mace’s window. “Mace!” Her voice sails out her window and into his. She waits for a moment; nothing. Through the dark, Daphne gropes for her tin can. She taps on it three times. “Maaaaaaace.” A muffled grunt comes through the window and the can. “Are you awake?” Daphne asks. “No. Are you?” Mace speaks clearly now. Now Daphne does not answer but only laughs when Mace begins to sing. “Mace, why don’t we put a walkway between our windows?” Daphne asks. He does not answer. “That way, we could really dance together and we wouldn’t need this tin can telephone.” Silence. “And we would only need a couple feet or so—we wouldn’t even need a long one . . . Mace! Aren’t you awake?” She annunciates directly into her can.

The tree in Daphne’s room, whose roots are far away, continue to grow, filling the space between the two buildings, filling Daphne’s room. And one day, Daphne and Mace will have to squint through the foliage to see each other and the string on their tin can telephone will tangle in the branches.



This story is part of a collection of short fiction entitled,
Things That Lose You. I wrote, designed, illustrated and
bound this collection into a book for my thesis.

Friday, March 27, 2009

Launched!


www.clairesmalley.com

Still under some construction, but nearly complete. This has been in the works for too long and I am very excited to say that it is now live!